Now on PBS
Artist | Track/Song Name | Album Title | Label/Distributor | Comments
This week's show features two works. In each case, the composer is listed first, and they are also the performer. The name of the piece follows their name, and then the details of the recording follow that, along with the total duration of the piece. The individual movements, and their durations, is then listed below this.
David Evans | Suddenly Woken by the Sound of Stillness (2017) | Flaming Pines | 41:42
- Beijing to Ulaanbaatar | 10:45
- Ulaanbaatar to Irkutsk | 10:25
- Irkutsk to Moscow | 20:32
(including interview with David Evans, talking about Suddenly Woken by the Sound of Stillness)
François Bayle | La forme du temp est un cercle (1999-2001) | François Bayle: 50 Ans d'Acousmatique | ina-GRM Editions | 55:52
- Concrescence | 12:30
- Si loin, si proche | 13:36
- Tempi | 7:25
- Allures | 9:06
- Cercles | 13:15
Remember to check out the blog to read more about tonight's music and the ideas explored throughout the show!
It was over 100 years ago that Einstein told us that space and time are relative to one another and that motion effects how time passes.
But what does this mean for music? Do things sound different when they speed up or slow down? Do they sound different when they move in a straight line or turn around a bend? If time and space are related to each other then what shape does time have? How do we perceive it when our position in space changes, and how does our position in time affect our memory of space?
This weekend on The Sound Barrier I'll be exploring these questions with two major pieces of music: an upcoming new release based on field recordings from Melbourne musician David Evans, and a far-roo-rarely heard work from seminal acousmatic composer François Bayle.
David will be joining me live in the studio to talk about Suddenly Woken by the Sound of Silence, being released next week on Flaming Pines, where sounds from his journey on the Trans-Siberian Railway in 2015 are revisited and reimagined, and questions are explored about how sound changes with speed and motion and through the passage of time.
I will also be playing François Bayle's La Forme du Temps est un Cercle ('The Form of Time is a Circle') from 1999-2001, which draws from the Pythagorean notion of the circularity of time, and which its composer describes as a work where, throughout its five major stages, 'the listening journey will have completed a trajectory, that of the time unit going towards its smallest texture, and perception gradually sharpening its assessment of image and form'.
I hope you can join me, this Sunday night on The Sound Barrier, which goes live to air, both on radio and online, at 10.00 PM (AEDT). You can tune in at 106.7 PBS on the Melbourne FM band or on PBS Digital Radio, or online via the website or the PBS app. The show will also be available here on the website, both to listen back to and to check out the details of the playlist, shortly after it has gone to air.